What The F@ck Is FIAP??

Posted by on April 23, 2012 in Blog, FIAP | 11 comments

What The F@ck Is FIAP??

Ok, I’m not an official aficionado when it comes to FIAP, FIAP salons and all things related to FIAP, but I do get a lot of questions directed to me relating to FIAP salons and such like. Unfortunately the FIAP webpage itself is pretty poor when it comes to finding out information, so I thought I’d create my own resource on the subject. So here are the answers to the most common questions I get asked.

 

 

 

 

What the f@ck is FIAP?
How do I become a member?
What is a FIAP liaison officer?
What is a FIAP salon?
What is an acceptance?
What is an award?
What is a catalog?
What is a star rating?
Best Author?
What is a circuit?
What is a FIAP distinction?
How do I apply for a distinction?
How long do I have to wait for a catalog?
Where can I find a list of salons?
You have to pay?????
How do you submit to digital salons?
How do you submit to print salons?
Is it all worth the hassle?
Do I have to hibernate after the EFIAP?
Do awards received prior to your EFIAP count towards your EFIAP levels?
Where are these mythical rules that you speak of?
Any other questions?

 


 

What the f@ck is FIAP?

A camera club is a group of photographers, local to a particular area (usually a village, town or sometimes a county). Often camera clubs are part of a National Federation, which organises competitions, distinctions etc. across it’s member clubs. Well FIAP is a federation of National Federations. So it’s a global/international photographic body. Like the local clubs and national federations, it hosts competitions and offers distinctions, but unlike the local clubs and national federations, you are now competing and being measured against photographers from across the planet. It stands for Federation Internationale de l’Arte Photographique.

How do I become a member?

It’s likely your countries National Federation is already a member, but if you want to partake individually in FIAP salons, then you need to register yourself as a member also. As a reflection of just how bad the FIAP website is, at time of writing, having spent 15 minutes trawling through their website, I can not find the membership application form. But it’s there somewhere. Failing that, contact your FIAP liaison officer. You need to be a member BEFORE applying for your distinctions.

What is a FIAP liaison officer?

(Otherwise known as a FIAP Rep) Given the fact that FIAP deals with a international base of photographers, it simply couldn’t cope with handling correspondences, distinction applications, queries etc. from each member. So each National Federation appoint a FIAP liaison officer to be a conduit for all information and communication to and from FIAP. They handle membership applications, distinction applications, FIAP patronages etc. They are your first point of call and if you have a good one, should be your last point of call.

What is a FIAP salon?

Put simply, a salon is an exhibition. A local club (that is affiliated to FIAP through their National Federation) decides to host an exhibition and they invite photographers from around the world to submit images to the exhibition. The images go through a selection process, where the selection is made by a panel of judges (3 or more, often including a judge or judges from outside of the host country) and the selected images are then exhibited. FIAP offers patronage to these exhibitions assuming they comply with their rules and regulations.

What is a print salon and a digital salon?

A print salon accepts the entry of physical prints and it is these prints that go through the selection process and these prints that end up being exhibited. A digital salon accepts digital images as the entry. Selection is usually done based on these images (although some salons will print the images themselves). Normally the exhibitions for digital salons comprise of having the images projected rather than prints being hung. A lot of salons offer a mix of both media.

What is an acceptance?

Only a certain portion of images submitted to a salon will be accepted for exhibition. This varies, but is rarely more than 1/3rd and can be as low as 10% depending on the salon and the number of entries they receive. If your image was accepted for exhibition, it means it fell in this percentile and it will be exhibited. Congrats :)

What is an award?

In addition to “just” selecting the entries that will be exhibited, the judges also award their top images with various prizes. FIAP itself awards Gold, Silver and Bronze medals as well as FIAP Ribbons and FIAP Honorable Mentions. The rules for awards can vary from salon to salon, but the long and short of it is, that if your images receive an award, they were chosen as being amongst the top few images from all those submitted. Salons often have patronages from other photographic bodies in addition to FIAP, so there’s generally an array of prizes there for the winning. Normally the top 1 to 2% of images in the salon will feature in the awards.

What is a catalog?

Each salon must produce a “catalog” featuring various selected works from their exhibition. It also must list (in text) every accepted image in the exhibition. Catalogs effectively provide proof that you have achieved acceptances in a salon. Catalogs can be print catalogs (yey :) )or CD catalogs (boo :( ) or sometimes both. The quality of the catalog in terms of image layout, print quality, size etc. can vary from the pretty amazing (see Exposed, Trierenberg, San Sebastien), to the terrible (usually any of the UK catalogs), so it’s a mixed bag. The catalog generally always feature the awarded images and a random selection of other accepted works. But the selection and layout is entirely at the discretion of the salon committee. Having your work selected for publication in a catalog is a bonus, not a guarantee.

What is a star rating?

Based on a particular salons past history and catalogs, FIAP will rate that salon from 1 through to 5 stars. The idea is to give you some idea as to what sort of quality catalog you will receive. But don’t let this deceive you. There are some 4 and 5 star salons which produce truly, truly awful catalogs. Likewise, there are some 3 star (or lower) salons, which produce amazing catalogs. The only true rating is your own. Having submitted religiously every month two salons over a 2 year period, I’ve started to recognise which salons produce the better catalogs (in my opinion) and I tend to show loyalty to them, by submitting again the following year.

Best Author?

In 2011, FIAP introduced a new award called the FIAP Blue Badge (a little pin), which is awarded to the “Best Author” in a salon. This is the author that had the most images accepted into the salon. If there’s a tie – well I’m not sure what happens, but in the end, one author is selected. FIAP then have a prize called the “Best Of The Best” which is awarded to the author who has picked up the most FIAP Blue Badges through out the year. The best FIAP author in the world for that year.

What is a circuit?

A circuit is a group of salons, where you submit to just one, but your images are shared amongst them all. They are judged, scored and awarded individually, usually with a different panel of judges for each salon in the circuit. Only one catalog for the circuit is produced. Circuits obviously provide you with the greatest chance to pick up acceptances and awards, for the least amount of effort. The Austrian Super Circuit, Trierenberg being the most notable (amazing organisation, images and catalog – the best on the FIAP circuit)

What is a FIAP distinction?

FIAP offer photographers the opportunity to work towards distinctions as they submit their work  to salons. The distinctions are AFIAP (Artist FIAP), EFIAP (Excellence FIAP), EFIAP bronze, EFIAP Silver, EFIAP Gold and EFIAP Platinum. There is also an MFIAP (Master FIAP) and Honorary EFIAP. Each distinction follows on from the last and has a different requirement in terms of the number of acceptances required, the number of different images with acceptances, the number of different countries you had acceptances in, the number of different salons you have entered/success in and the number of different awards you have received.

How do I apply for a distinction?

First of all, it is your job to track your own acceptances and awards. Keep a spreadsheet of your acceptances/submissions and start doing it NOW!! The application form for the distinction you are applying for is available on the FIAP website. Each country is only able to make one submission annually and the date of this submission is dictated by your FIAP liaison office/National Federation. Once the form has been filled in it is submitted to your FIAP rep, who then checks the accuracy and validity of the submission, at which point it is ratified and sent on to FIAP for final approval. Timing is everything. Know when your deadline is and get the form in on time – don’t fill it out wrong and ensure you comply with the requirements. Getting it wrong can mean you end up waiting another year before the next deadline!

How long do I have to wait for a catalog?

Each salon must publish a schedule which details the closing date for entries, the judging date(s), the date of notification of results, the date(s) of the exhibition itself and the date when the catalogs will be mailed. So you should know in advance of submitting to the salon, when you are due to hear the results and receive the catalog/awards. This can range from 1~2 months and in some cases MUCH longer. Also, lets not forget, that salons are run on a voluntary basis and delays can happen. But by and large most salons are pretty good at sticking to their schedules.

Where can I find a list of salons?

On the FIAP website (obviously :) ) http://patronages.fiap.net/ This contains a list of all the salons currently registered to run. It shows their star ratings, their rules, their schedule, their entry fee etc. This is your bible :)

You have to pay?????

Of course you do! A salon incurs huge costs. The administration of it, judges fees, hosting the exhibition and last but most certainly not least, the production of the catalog and the postal charges to get that to you. Salons range in cost, but all in all, they’re not massively expensive. I look at it as an investment. Assuming you choose the right salons, you end up with wonderful catalogs, packed full of amazing images that would grace any coffee table – often at a much lower cost than photographic books purchased from book stores. Generally you pay a set minimum fee to enter and then a marginal fee above and beyond that for each section you enter. Payment now is moving very much towards PayPal.

How do you submit to digital salons?

Most digital salons now have their own online entry forms, allowing live uploading of images. Sadly, it seems no salon can agree on minimum or maximum size requirements, so you often have to change the resolution of your images to suit each salon ( a real pain in the ass). But digital salons are easy to enter.. 5 minutes resizing images, upload them, pay via PayPal.. sit back and wait for the results/catalog. It couldn’t be simpler. Those that don’t offer live upload, accept entries on CD (which is a bigger pain in the ass than resizing – I give these salons a wide berth)

How do you submit to print salons?

I much prefer print salons, but obviously there is the logistics of printing and posting that need to be addressed. Print size requirements can vary from salon to salon (make sure you pay attention to what these are). I print the images out, enclose them between two pieces of card, usually larger than the prints and sized perfectly for the padded envelopes that I have purchased specially for entry (A3+ size). I have pre-printed labels with my name, address etc that are stuck on to the back of each print, so all that’s left is for me to write the title. Similarly I have large labels for the envelopes that say “Prints for exhibition purpose only – to be returned to sender”, “No commercial value” and “Do not bend”. I always post via registered post and the most expensive this has ever been was to a salon in Australia (€9). Obviously I have no idea of the condition of the prints when they arrive, but so far I have won an award in pretty much every print salon I have entered, so I am assuming they made it there safe and sound.

Is it all worth the hassle?

Well considering I got my AFIAP in 2011, my EFIAP in 2012 and I am on track for my EFIAP bronze in 2013, I would have to say yes. But leaving the distinctions aside, I still think it’s a worth while process. It gives you a forum to have your work seen – particularly if it’s accepted into the salon. How many of us have the opportunity to have our work printed and hung on a wall? The catalogs (assuming you get a good one) are worth the effort alone, especially if you have your work selected for publication in them. And then there’s the awards, which are extremely rewarding to pick up. So yeah.. I think it’s worth it.

Do I have to hibernate after the EFIAP?

Ok, so we’ve already covered that you can only apply for a distinction annually. So if you meet the requirements for your EFIAP well in advance of the date you are allowed apply for it, then YES, YOU MUST HIBERNATE – i.e. you should stop submitting to salons. Rule 4.2b states that “After the date of being awarded the EFIAP distinction, have obtained at least: xxxxx”. Which means that any acceptances you gain prior to achieving your EFIAP award can not be used for your EFIAP bronze – so any acceptances after you meet the requirements, but prior to the award are effectively wasted.

Do awards received prior to your EFIAP count towards your EFIAP levels?

In short, yes :) There is nothing specified in the rules relating to the date of awards. There is stipulations over the awards never having been used for prior distinctions and being from different countries etc. But the date of award doesn’t matter.

Where are these mythical rules that you speak of?

What an excellent question! Certainly if you can find the rules on the FIAP website, you’re a better man than me. The IPF do have the rules on theirs, which is now an official copy, rather than a scanned in copy of a faxed version. But I’ve also included them here for anyone interested.

Any other questions?

That’s all I can think of for now, but certainly if you have any questions you’d like addressed or would like me to clarify any of the answers I have already provided, feel free to leave a comment.

11 Comments

  1. Why do you do it? The time, effort and cost?
    Do you do it:
    a) for marketing/promotional purposes, in order to create a following/potential buyer base?
    b) for independant assessment as to your ability/progress
    c) because you were taught that awards/shiney things are good things to have and every eductional path leads to a qualification.

    The progressive levels as I read it, don’t measure improvement/progress. They seem to simply indicate more of the same along the lines of 3 bronzes equal 1 silver, 3silvers equate to 1 gold etc. The system also seems to be flawed through inconsistency. You are competing against other submissions, the level of which you have no control over. Depending on the other submissions (and the vagaries of the judges) your image could come top in one salon and last in another.
    I think all of the reasons listed above are valid ones, just wondering as to your motivation.

  2. Some interesting questions and observations.

    > Why do you do it? The time, effort and cost?

    I do it primarily because I’m project driven and having a goal means I have something to work towards. Without that goal (what ever it is), I either just don’t shoot or end up shooting and coming away with nothing. So there has to be a goal for me. The FIAP distinctions are just one such goal (not the only one)

    The effort is worth it in itself because it does help me develop. Practice makes perfect. I’m MUCH better at printing now than when I started submitting to salons and I’m far more aware of how to shoot with printing in mind.

    > a) for marketing/promotional purposes, in order to create a following/potential buyer base?

    The end goal certainly isn’t to build a buyer base, but promotion/creating a following is an aspect of it. It’s another avenue where your work can be seen, similar to my own gallery site and other sites like 1x or 500px

    > b) for independant assessment as to your ability/progress

    It’s not about ability, nor is it about progress. It’s about the image, not the photographer. Have you/I created an image that stands on it’s own against the images of others? Is it of the standard to be published? Is it suitable to be exhibited? Does it stand out from the crowd and does it justify an award?

    > c) because you were taught that awards/shiney things are good things to have and every eductional path leads to a qualification.

    They are a good thing. They do bring an element of satisfaction. No more (or less) than having an image accepted for 1x (as an example). There’s an element of satisfaction in it.

    > The progressive levels as I read it, don’t measure improvement/progress.

    Certainly for the AFIAP and EFIAP, this is largely true. If your work is of a certain standard, then all you need is x amount of images at that standard. There isn’t a higher standard between distinctions as there are with the distinctions offered by the Royal Photographic Society or the Irish Photographic Federation.

    But this assumes of course, that when you start submitting, you are already producing work all the time at the standard required. Which isn’t true of course. When I started out, maybe only 20% of the images I submitted were accepted. As time and I have progressed, this has moved closer to 90% So it took me to progress to a higher level in order to achieve the distinction in a shorter time frame.

    > They seem to simply indicate more of the same along the lines of 3 bronzes equal 1 silver, 3silvers equate to 1 gold etc.

    The levels (Bronze, Silver, Gold & Platinum) require awarded images. Not just acceptances. And not just one that picks up multiple awards, but different awarded images, awarded in different countries. You are “competing” against 100′s if not 1000′s of photographers in some salons, so awards (contrary to my run of good luck) are not easy to come by. Around 1~2% of photographers pick them up in a salon! So it’s certainly not more of the same.. it’s more of better, required.

    > You are competing against other submissions, the level of which you have no control over.

    True, you have no control over, but you have an indication of. No more than you have control over any submission to any competition. The level is high (very high) particularly for the top salons. If you look at something like the Al-Thani salon with a top prize of $35,000 dollars for the best image (€80,000 in total prize money) – it draws in en enormous amount of entries with some stunning work. The process, as I mentioned earlier, does help photographers improve and you end up competing against some pretty amazing photographers (by and large)

    > Depending on the other submissions (and the vagaries of the judges) your image could come top in one salon and last in another.

    Absolutely, but isn’t this the same as any competition or any curation of an exhibition? Whilst I’m happy to boast about a salon medal, I’m equally as happy to accept that the same image could dive in another salon. I’m a man of statistics. If I send an image out to 10 salons and it picks up a medal in all 10 or the majority of them, then I’m pretty sure I have a strong image. If an image doesn’t get accepted in any of them, I also equally sure it doesn’t have appeal. The results of one salon, by and large are meaningless (but gladly accepted).

    > I think all of the reasons listed above are valid ones, just wondering as to your motivation.

    Hopefully I addressed that above? But also lets not forget the simple thrill of competition and the little boost you get if you do well. It’s fun to wait anxiously on the results and then find out you do well. Equally it’s fun to acknowledge that the judges are obviously completely blind when you don’t :)

  3. Thanks for the detailed reply

  4. For FIAP distinctions one circuit is taken as one salon. My question is, In a circuit there are three salons and say one of my work accepted in all the salons. Now how it will be treated? 3 acceptance or 1?

  5. There are few different counters… One of which counts salons and another counts acceptances (others count countries and number of different works accepted)

    So if you submit one image to a circuit of 3 salons and it is accepted in all 3 of them, your salon count increments by 1 but your acceptance count increments by 3

  6. Thanks a lot :) I got my answar

  7. While many international salon competitions demand that the participating images cannot be modified, I found out that there are several winning images are modified in a great scale. I wonder what category the images are under. Any suggestion of salon competitions that accept this kind of work? Thank you.

  8. I don’t agree that many salons demand “unmodified” images. Almost across the board, every salon offers open sections, where you are allowed enter an image of any genre or type, with no restriction what so ever. The only requirement is that the image must have started off as being a photograph – i.e. light captured. But they can be modified in Photoshop.

    Some salons offer “creative” sections, which not only allow manipulation, but positively encourage it.

  9. This clears my doubt. Thank you. :)

  10. Ciaran,with regards to” Do awards received prior to your EFIAP count towards your EFIAP levels?”
    I was led to believe that one could’nt use previous awards which were used to attain one’s EFIAP,to the required amount to apply for the bronze.I had every thing ready for the bronze including three new awards since my EFIAP, but I learned that the awards had to be from three differant countries…I had two from the same country which meant I could’nt apply !!
    My question is could I have used my old awards which I gained up to my EFIAP ?
    regards,
    Morgan.

    • Unfortunately no :(

      Any image, awarded or otherwise, that was used as part of either your AFIAP or EFIAP applications, can no longer be used. They’re effectively wiped away.

      However, if you received an award on an image but never listed it, that should have been accepted.

      For my EFIAP application, I held back on listing any awarded images so they would still all be open for consideration in later distinctions.

      NOTE: Acceptances on these images gained prior to the EFIAP will not count. For the bronze, silver, gold and platinum, only acceptances gained after the EFIAP count. But awards can pre-date this.

      So for the bronze, you need 3 awards each from different countries, for the silver it’s 4, gold 5 and platinum 6. Awards used for previous levels can not be used again – countries can (once each application features different countries)

      So that’s 18 awarded images needed in total .

      Hope that helps?

Trackbacks/Pingbacks

  1. Three In A Row | The Wonder Of Light - [...] of the FIAP salons on my “must enter” list every year is Trierenberg – The Austrian Super Circuit. [...]
  2. EFIAP Bronze | The Wonder Of Light - [...] followers of my blog will know that I’ve been chasing FIAP distinctions since 2010, and each year since then, ...

Leave a Reply